Sunday, October 31, 2010

Class results

We had a great time during my October Blast class. It is fun and educational to be able to really study a concept or principle in detail and delve into all the ways you can use motion, rhythm and repetition to your advantage when creating composition.
I asked the participants to share an image exhibiting motion in her work and was very pleased with the images chosen:
Rosemary_indigo_sketches_full JeanneBeckLetterRhythms
Above (left) is Rosemary Claus-Gray’s Indigo Sketches.
Above (right) is Jeanne Raffer Beck's Letter Rhythms.
EarthquakeFaults JeanneSimpson
Above (left) is Marcia DeCamp’s Earthquake Faults.
Above (right) is Jeanne Simpson’s Green Heatwave.

Monday, September 6, 2010




Making samples is a great way to work through design and construction issues. I spent a nice part of this long holiday weekend relaxing and visiting with family. Most important was the time I got to spend in the studio stitching on new large work.

I’ve also been working through some ideas for a new series on paper. These two collages (and one that didn’t work at all) are the results of my musings. Each are about 4” x 6”.


Sunday, August 15, 2010

Art filled weekend


I was so excited to be able to spend part of my birthday weekend visiting some exhibits in Dallas. If you are in the area, I recommend all of these, particularly the Luc Tuymans exhibit at the Dallas Museum of Art. It is on exhibit until September 5. The Rachel Whiteread exhibit ended Saturday, unfortunately, but the Il Lee exhibit continues into September.

Rachel Whiteread is known for her installation work and large scale sculptures that reference space. At her exhibit, there were many drawings of some of her monumental projects, such as the Holocaust Memorial in Vienna and the Water Tower on the roof of the Museum of Modern Art. In studying negative space and memory, she creates large molds and casts them often using resin. For example, the Holocaust Memorial is a cast of an interior of a library including imprints of the books on the shelves.

Although Whiteread says that these drawings aren’t preparatory work for her installations but rather art unto themselves, when viewing them and reading about the resultant sculptures, it is hard to not see them as such. The Water Tower drawings were printed photographs where she had inserted the outline of her proposed sculpture into the environment. She often draws on graph paper and uses correction fluid to fill in the outline. She also did one of the Water Tower at night that I found absolutely stunning. I can’t find an image online but below are two of the Water Tower drawings:

rachelWhiteread_drawingfor water tower image

On the lower floor of the Nasher Sculpture Center, I found some of my favorite of the drawings and collections in the exhibit. Below is a drawing of Stairs:


My very favorite were the collections of images where she took vintage postcards and altered them with paint, or in the case below, by using a hole punch:


There were many, many of these propped on rows of display boards. The book that accompanies the exhibit only has images of 2-3 and that was a disappointment but you can see more images of the exhibit here. In addition, Whiteread sent collections of objects she has picked up on the street and in thrift stores. She likens these collections to “like doodling in a sketchbook.” Below are shoe molds and two of her casts:


The Il Lee exhibit was in a fairly small space at the Crow Museum but the high ceilings made up for it and showed the artwork beautifully. Lee’s drawings convey a huge amount of energy and he says his new drawings are more angular, interrupted with a more rigorous approach. Some are huge, 4’ x 6’ and you know that Lee is putting his whole body into creating these drawings. There is intent in the drawings, you can definitely follow the pattern as they are constructed. Below is one example and an image of Lee in action:

ilLeeWorking ilLee_untitled

There was also a wall of drawing studies, about 50 of them hung salon-style. I found them fascinating as they were put on scrap paper, newspaper and other material. Highly recommended.

Friday, August 6, 2010

A celebration


Today is my birthday and those of you who are artists can guess how I’ll be celebrating. I purposely planned a long weekend to take advantage of TIME -- that all elusive thing that seems to disappear when you work outside the home for long hours. I’m also spending part of tomorrow visiting some exhibits in Dallas, including Il Lee at the Crow Collection of Asian Art, the drawings of Rachel Whiteread at the Nasher Sculpture Center and the paintings of Luc Tuymans at the Dallas Museum of Art. Whew.

There will also be various dinners and lunches which I plan to take full advantage of including a free brunch offered all of their subscribers at the Blue Mesa Grill.

Jeanne Simpson has been one of the students in my pilot offering of classes, and I wanted to feature two of her homework assignments. The first one was in response to an exercise that asked my students to create an example of proximity using actual line:

Simpson 2A

The second image was in response to an assignment to explore the illusion of space:


I think she did a wonderful job! 

Sunday, July 4, 2010

Happy Fourth!

For those of us in the US today is the Fourth of July, Independence Day. This day has a lot of meaning for me beyond the celebration of the US declaring independence from Great Britain. My maternal grandmother was born on this day in 1902. She passed away in 1999 just short of her 97th birthday.

She inspired me every day through her work ethic, independence and character. She was an accomplished cook, gardener, seamstress, as well as doing china painting later in her life. It seemed to me as a child, that everything she touched turned to gold, or on Christmas, pink, as growing up she would decorate her pink tree with pink lights and bulbs. It was so magical to walk into that room on Christmas Eve.

I found out later in life that her "talent" came from sheer hard work and perseverance. As an artist, I strive to do the very best I can and sweat through numerous samples to accomplish just that. Some days, I'm very hard on myself for the time it takes to get from idea to product. In reality, if I slow down and enjoy the process, the outcome is so much more enjoyable. It isn't perfection we are after but rather artwork that comes near the imagined final product and most important, evokes the emotion and soul of our ideas. Today, I remember my grandmother and salute her memory by reminding myself of just why I love being an artist.

Wednesday, March 31, 2010

Art Heroines

Terry Jarrard-Dimond posted some photos of her studio on Facebook and included a sampling of images of her art heroines. One of her heroines is also one of mine, Eva Hesse. While sitting outside recently enjoying the spring sun, I was reading Catherine de Zegher's book Eva Hesse Drawing.


Highly recommended. One of the most interesting parts of the book is Hesse's "relationship" with Anni Albers. You can certainly see a connection between the work Hesse was doing and fiber art. More discussion to follow.